For The Love Of Little Children

May 21, 2009

A report was published yesterday on the abuse of children by Catholic Church organisations in Ireland. In many cases abusive priests were moved on and nothing done to stop the abuse or bring the perpetrators to justice.

 

For The Love Of Little Children

 

Hello! I’m Brother Blessed.

I have taken holy orders.

So that I may praise the Lord

and love the little children.

 

Straight out from the seminary

I was a brother teacher

Helping the sweet little ones

in learning to be good.

 

The wickedness within them

was the greatest of my burdens

The devil fought with vigour

before it left their

striped red cheeks.

 

I inject the love of Jesus

to the sobbing contrite cherub

and forgive him

for the pain he’s brought

by letting evil in.

 

My Lord the Bishop

thanked me for the

depth of my devotion

and gave me my own parish

to build the congregation.

 

I am Father Blessed

and all my little children

are angel faced, angel voiced

angelic of complexion.

 

My choir is a glory

of unbroken vocal chords

I love them each and every one

A love unknown, unspoken.

 

I devoted many hours

to more coaching in my room

bringing sacred music

to the mouths of

my best boys.

 

His eminence the cardinal

honoured my achievements.

On the holy Father’s orders

I was raised to greater things.

 

I am Father Blessed

Head and overseer

of the many teaching orders

spread throughout the land.

 

All the best and brightest scholars

are brought to my attention

that I might admire their qualities

and guide them on myself.

 

The lord has blessed us beyond words

with the beauty of creation.

I worship at the altar

of young bodies beautiful.

 

Now upon my later years

there is time for reflection.

Dear Mother Church has granted me

a care home and a pension.

 

I pray for the misguided

and the wicked lies they utter.

The dear lord will reward me soon

for I loved his little children.


Honourable Member

May 21, 2009

Goodbye Mister Speaker

it is sad to see you go.

You were a stalwart fighter

for the rules

we got to know.

 

I am an honourable member

not a flipping politician

I wouldn’t work the system

I am only here to serve.

 

That bath plug was essential,

you wouldn’t want me whiffing.

The moat around my vast estate

was stinking, clogged

with old receipts.

I couldn’t do the job myself

I work so hard for you

 

I’m an honourable member

not a flipping politician.

You simply do not understand

the burdens of my job.

 

I work all week in London

at my club

and over luncheon

where I make the many contacts

that grease my working life.

 

Of course I need another house

back with my constituents

so I can show my face in town

and keep the voters sweet.

 

The place I keep

down on the coast

and where my lover caretakes

I use to charge my batteries

the better to serve you.

 

I’m an honourable member

not a flipping politician

Swapping the second and my third house

for my first when tax was pending,

that was none of my choice,

the rule I wasn’t bending

I was told I had to do this,

and I do what I’m directed,

I must live here in London

to be a Minister.

 

I’m an honourable member

not a flipping politician

Now let me tell you clearly

we are poorly paid as Members

and I owe it to my family

to get the best returns

 

Look! Paying off the mortgage

left me short of capital

and I needed more

taxpayers cash

to stash away in shares.

 

The porno films were not for me

they help stop hubby straying

while I am away all week

in the flat for which you’re paying.

 

He works hard as well you see

he does my admin work.

He fills in my expenses claims

and you pay him well for that.

 

Yes fifty bags of horse shit

is a lot of crap I know,

but my garden is a glory.

I put on a good show.

 

Bleary little squirrel nutkin

keeps her crash hat close at hand.

Gordon Says that he supports her

She’s on her way, so wave goodbye.

 

We are sorry for the system

that WE put in place to guide us.

 

We are sorry for those others

unlike me who were quite naughty.

 

We are sorry, we are sorry

we are sorry that you caught us.


What The Haiku?

March 8, 2009

I was reading AA Gill in the Sunday paper today and his coment about haiku “I’ve never got the point of. Aren’t they just limericks which don’t make you laugh?” got me thinking that it was about time I said something about haiku rather than just making the odd comment from time to time.

First of all Adrian they are nothing like limericks. Despite the name giving the impression that they are Irish, limericks are actually a very English metrical form. When well done they can be very engaging and I am all for well delivered humour. The form does lend itself to atrocious pieces, but that is not a reason to discard what is good.

Haiku is a different matter altogether. Haiku is a Japanese poetry form associated with Zen Buddhism. It has variations in type, but mostly it is short, nature related verse contrasting two elements. It is not possible to place the first English haiku, but it was around the late nineteenth, early twentieth century in north America and Britain. At that time it was linked to or evolved from a French symbolist school.

Harold G Henderson who is considered to be a major authority on English haiku said “It seems obvious that we must build our work on Japanese norms, as any too great deviation from them would result in poems that were not haiku. And, yet to accept these norms in their entirety is literally impossible.” Yes, quite Harold. What exactly are English haiku writers trying to do? Japanese is a tonal language written in characters vertically down the page. English is none of these things. It is not possible to translate the Japanese concept of syllables into English quite apart from questions of the number of lines being incapable of transfer and breath points being centrally important to Zen, but usually having no significance to English writers and readers. Actually, for many Japanese it isn’t possible for anybody to write haiku without a sensai or haiku master.

With their ideas of brevity and ‘objectivism’, haiku (or hokku) appealed to Amy Lowell and Ezra Pound with their Imagist movement. This is also one of the strong origins of the ’show don’t tell’ mantra that is so commonly repeated, but that is another subject. Since them there have been a host of movements, schools and societies trying to set rules for haiku in English. Their outpourings are pretty similar to medieval theological disputes on how many angels could balance on the head of a pin. Like the inquisition, the sooner they all disappear up their own arses the better it will be for poetry. Anyway what I really think it amounts to is that if you are interested in poetry rather than achieving transcendantal bliss you can forget trying to mimic any Japanese style and get on with writing good stuff in English.

If you want your poetry to be short that’s great, but there is absolutely no point in restricting yourself to seventeen syllables, or three lines or any other constraint. There is nothing magical about any of these rules and they really don’t have anything meaningful to do with Japanese haiku either.


The Waste Land – T S Eliot

February 26, 2009

 

I have just been listening to ‘In Our Time’ on Radio 4. In it Melvyn Bragg invited a couple of ‘experts’ to discuss ‘The Waste Land by T S Eliot. It spurred me to make a few comments of my own which I have held for years, but never expressed.

 

After more than eighty years of this poem’s existence and endless academic analysis, what their observations amounted to was that they didn’t know what the poem was about. Having said this they still ended by muttering how important it was and that it laid the basis of the important Modernist movement. Doesn’t this just illustrate how willing we are to accord spurious value to unintelligible rubbish and look on in awe at high culture which we cannot understand, but we are sure is really important and wonderful if ever we could just manage to penetrate it.

 

When Eliot was nearing completion of the poem he told prospective publishers, and anybody else who would listen, that it was a very great work which would shake the literary world. Eliot was a genuine lover of words and language and he had the ability to produce lines that flow beautifully and remain well in the memory. He exploited this skill to produce work that was very readable in parts although containing nothing of any worth at all in terms of meaning. At the same time he did include some of his misogyny and racism in the meaningless drivel of casual observations and mental ramblings.

 

Eliot himself was contradictory about the poem. On at least one occasion he said that it was of no real worth and that it contained only thirty good lines. That was a moment of honesty and clarity.

 

Eliot was a depressed man in a miserable marriage. He had very extreme political views which included despising Jews and seeing people like himself as the victim of strange conspiracies. He was reinforced in these unpleasant views of the world by his association with Ezra Pound, a sickening fascist who adored Mussolini and was also an anti-semite; probably more virulent than Eliot. Pound was a close confidant of Eliot and he contributed substantially in its completion and editing.

 

Eliot and Pound both considered themselves to be extremely well read and intelligent people who occupied a more refined strata of humanity than all those around them. They regarded a large proportion of humanity as unpleasant oiks who were not fit for culture and refinement.

 

The Waste Land and its unintelligible notes are actually a good reflection of the attitudes and perceptions of these two men. They were both extremely pretentious. They saw themselves as very well read members of an elite group above the mass. The Waste Land, like other works by both men, repeatedly uses literary references and other languages to no purpose other than to tell the reader that the author is very learned. The writings which Eliot describes as notes are actually nothing more than lines wanted by his publisher to pad the poem out to the length wanted for publication and further confusions intended to send the reader off on a wild goose chase of reading as they try to delve into the obscure ‘meaning’ of the poem.

 

What should we think of the Waste Land now? Enjoy the sound of those parts of it which are pleasant to the ear. Make no attempt at all to analyse or dissect it. Let its inadequate and unattractive author be seen for person he was and stop feeding his own delusions of being a class above the rest of us if not part of a mythical master race.


Crunch

February 18, 2009

Her in reception, he service,
main dealer life
brings solid living.

Long held dream redeemed.
Honeysuckle cottage,
rose bed rich.

Goodbye dismal council flat,
parent pride
drives moving van.

Loving effort, mighty loan
freshly fitted
lovely home.

Credit died and dealer crashed,
tear stain faces
bailiff’s knock.

Dismal, dreary council flat.
Parents, disappointment hid,
bring furnishing.


Redundant

February 18, 2009

 

Tear stained,

mould grained

grey, green walls.

Too small for one,

but foetid cage

for three.

Cloud high flat

a piss stink lift

from ground.

 

Back soon

 

Fifty yards of

fresh clean air,

fags or maybe bread.

Past the shabby,

shuttered shop

the city centre calls.

 

Not long

 

Cash for one pint,

a walk and think..

Hitched rides then

shivered, shelter sleeps.

Growling guts

from bin grabbed

food. Stinking,

sweat soaked skin,

no walls.

 

Just a break

 

Green fields,

gold beach

and soul,

sought sea.

Beauty more than

can be said,

Beachy Head.


Winter

February 6, 2009

Silhouettes glide slowly under ice.

Golden slithers in a silver haze.

Life signs in frozen wasteland hint

of pleasure yet to come.

 

Now is a beauty all its own.

Featureless, pure and white.

Crisp blanket over every part.

Hiding weed and plant alike.

 

Crystal spikes from gutter gleam,

twinkling rainbows through the scene.

Pale yolk of winter sun,

glitters in the daggered rain.

 

Frail arachnid filigree,

links ice bowed bush to naked tree.

Feline footprints deeply trace,

live shivers through this frozen place.


Marvel

January 21, 2009

 

Bouncing through thin atmosphere

on independence day.

A tiny human probe is steered

from million miles away.

 

A rover rolls on rosy world.

Finding a path through Ares Vallis.

Solar petals of craft unfurled.

To power a Martian palace.

 

Romping through this alien vale,

the robot’s stay is brief.

Rocks it finds will tell a tale

of aeons past, in close relief.

 

That flood plain of a liquid place

is now as dry as dust.

But was there life? A microbe race.

In soil as red as rust.


Chester Zoo

August 14, 2008

7,000 animals they said.
6,000 of them jackdaws, mice
and sparrows getting the best
free handout in Cheshire.

800 were people collecting
the rip off entry charge,
begging for donations on top,
selling over priced, crap souvenirs
and peddling junk food.

One was the tiger sleeping
in his shed.
Blinking through his torpor
at the camera flashes
from the milling horde
excited to see an animal.

Sixteen were the huge fish
whose mouths were the only
movement in the tiny tank.

7,000 animals.
Only 6,800 of them
were parasites.


Doggone Shame

August 13, 2008

Doggone Shame

All the pubs
and restaurants
have now been made
smoke free.

To save the lungs
of bar staff
and keep waiters
eyes undimmed.

Now they’re healthy
on the dole queue
and all social life is dead.
The pubs are shut and empty,
café goers are unfed.

What happened to the smokers?
They are miserable at home.
Their dogs have got lung cancer
and they’re puffing all alone.